His films “The Sorrow and the Pity” and “Hôtel Terminus” confronted wrenching questions not lone astir Nazi collaboration, but besides the relation of memory, conscience and escaped choice.
Marcel Ophuls, documentary filmmaker of vital moral dramas, dies at 97
His films “The Sorrow and the Pity” and “Hôtel Terminus” confronted wrenching questions not lone astir Nazi collaboration, but besides the relation of memory, conscience and escaped choice.